The artists explore a combination of mediums ranging from sound, live performance, literature, video and photography, to create an eclectic aesthetic with which they express their ideas about themes central to their experience as black queer bodies navigating the cis-hetero-topia of post-colonial Africa.

The collective debuted at the BubblegumClubbb Nights held at the Hazard Gallery in 2015, where they presented #Wait Lorraine: A Wemmer Pan-African Introduction to Siyakaka Feminism. In the same year, they released their popular ode to Brenda Fassie, a video piece titled From A Distance. The following year (2016) was defined by the duo’s release of the Bottoms Revenge EP, a collection of Ancestral Gqom-Gospel sounds, as well as a much-talked-about live installation of The Factory at Stevenson Gallery’s SEX show.

Their hybridised mode of practice and challenging subject matter as artists has lead them to being invited to perform at various international festivals - such as the 9th Berlin Biennale for Contemporary Art (2016); Unsound Festival Poland (2016); FLOW Festival (2017), and Digging the Global South (2017) amongst many others.

In October 2017, FAKA released their much anticipated sophomore EP titled Amaqhawe, a three track offering that “explores the intricacies of love and romance within the black queer experience, with songs touching on everything from self-love, unrequited love, childhood love and transactional love.”

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